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Lighthearted

72

Category : musings

This morning, the first thing I realized upon boarding the jeepney that would take Bong and me to Alabang and to work, was that you know you are already late when your commute-mates are no longer familiar to you.

Haha. Yep, I was late again because the little girl, Cassie, didn’t want to be left with our temporary ate, Ate Michelle (she was the first ate who took care of Cassie when she was only 1 month old, and left before she turned one to pursue her boyfriend. She just came back temporarily until we get two new angels who would take care of Jeremy and Cassie)

Anyhoo, just as the jeepney was leaving the terminal, there were two passengers, loudmouths, if I may say, who boarded the jeepney. Knowing the looming disturbance, I decided to put on my earphones and listen to music. Luckily, The CompanY’s Lighthearted album is loaded in my phone and so I listened to it. But I was just so engrossed at listening to the music blaring from my earphones that I didn’t get the chance to sleep during the commute. The album title says it all, you would really feel lighthearted when you listen to all the songs in that album. And I would go as far as saying that this is one of The CompanY’s best, if not the best, album ever.

Ok, so why did I say this? Because while listening to the songs, I couldn’t help but smile to myself and say that it’s indeed a wonderful day even when I knew that I would be 30 minutes late for work. I also remembered it’s my boss’ birthday, and I wanted to text her my greetings and wishes of a wonderful day even if I have already greeted her yesterday with a kiss (as she’s on birthday leave today)—to think we’re not exactly the best of friends…if you know what I mean. Oh, we get along, especially now that she has mellowed down a lot, but still, she’s the boss, and I am the lowly employee. Heehee.

And then it came to the song “Fifteen.” Yep, that Taylor Swift song (Idk, but I love Taylor Swift) which Cecile Bautista Reynoso sings with her daughter Chile…It kinda made me teary eyed. They rendered it in such a way that it’s like the mom telling her daughter what happens when she’s fifteen. And I felt it was another song I would sing to Ate Kara, just as the song “Slipping through my fingers” of Abba and sung in the movie Mamma Mia is the song I would probably sing when Kara gets married someday. Oh, Lighthearted, you have made me wax poetic about such things I would not normally think about when I commute to work.

But that’s really The CompanY for you. They’re such great singers whose renditions of other singers’ songs are even much better than the original. Ok, ok, I am biased. But I guess it also comes from the fact that this group, who I adore so much, also adores its fans as much as the fans adore them. Hindi sila mayabang at ma-ere considering they’ve been around for a long time. In fact, they’re celebrating their 25th year in show business this year with a concert at the Music Museum on October 16 and 30. Now that’s another show we won’t miss for the world. I have seen them perform a couple of times already and I guess I still can’t get enough of them.

Oh, and just in case you’re wondering, this is not a paid advert. But if they happen to read this and decide to give me 5 free tickets to their show, then that would just be perfect. Dance  Clap  Jump

Harana

Category : musings

Bong, Kara and I had the privilege of witnessing the world-class performance of the Philippine Opera Company last Saturday, November 14, at the Insular Life Auditorium in Alabang. The Program was titled “Harana,” and featured Philippine Classical and contemporary music, divided into 6 suites: Igorot, Maria Clara (which included Pamaypay ng Maynila and Iyo Kailan pa man), Rural (which had the ibon medly and Kalesa, my most favorite pieces), Muslim, Folk, and the Contemporary Suites (which included Nais ko, Anak, and Bayan Ko).

Harana is the Philippine term for serenade, which is a traditional form of courtship in which a man woos a woman’s affection by singing underneath her window. “Harana” showcased the evolution of Philippine Music through song, movement, and drama.

Performers included Philippine Opera Company’s Artistic and Managing Director Karla Gutierrez (who was very very exceptional), Florence Aguilar, Arlynne Tecson (not sure, though if that’s her name), Sherwin Sozon, Noel Rayos, Miguel Castro, and Juan Alberto Gaerlan whose lapel mic malfunctioned but whose voice nevertheless defied the circumstances.

Words aren’t enough to describe how they performed. The whole show was just superb (for lack of proper words to define it). While watching (and listening), one couldn’t help but be transformed to that distant past when life was so much simpler, and one’s form of entertainment consisted of singing and swaying to music. It made me appreciate Philippine classical music more, the kundimans and folk music our lolos and lolas grew up to. My most favorite number was “Kalesa,” sung by the male members of the ensemble. I know this one by heart because a few years back, our company choir (of which I am a part), sang this during a Company awards programme. It also helped that it’s a funny, fast song. (Kabayo ay di natin problema, Pulot at damo lang ay tama na. Matulin din sa kalsada, Tumatakbong maginhawa, Wala pang gasolina). And yeah, it brought back memories of my once-upon-a-time ambition of being a classical singer. haha!

The show ended with an emotional rendition of “Bayan Ko.” Then, when all of us kept repeating our shouts of “More! More! More!”, the group obliged by singing (and inviting everybody to sing) “Gaano Kita Kamahal.” It surprised me to find out that I still know the song, so I sang with everybody wholeheartedly. Smile

After the show, I asked Kara if she liked it, and she said YES! smiling widely. That was actually one of my night’s highlights–knowing that Kara enjoyed the performance as much as I did. Or maybe I was just a tad happier because all throughout the show, I just couldn’t help but smile. (haha! The last time I felt as giddy as this was when I watched The CompanY’s last concert at Aliw Theater). I realized it’s only very rare that I get the chance to watch genuinely great artists, so yeah, I was also very happy. Needless to say, Bong, was , too.

Harana was the last offering of Filfest Cultural Foundation’s second season, and was co-presented by Insular Life, which is celebrating its 99th founding anniversary this year.